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Luty 1962. Miron Bia³oszewski w spektaklu Kordian w Teatrze Osobnym

Literary roundup: Polish writers, Thor Garcia and Erich Kästner

I recently had the pleasure of hearing Prague-based writer Thor Garcia read from his most recent novel Only Fools Die of Heartbreak. Now the Czech Literature Portal has an interview with Garcia in which he talks about the mythical early 90s, his journalism and writing, Czech culture and “drab” American fiction. Having just written about […]

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mariaslide

Asymptote April 2013: Russian poetry, Miklós Szentkuthy and more

Asymptote’s April 2013 issue has just come out and, as always, contains a lot of great prose, poetry and more, some of which comes from the part of the world written about hereabouts. The introduction of Hungarian writer Miklós Szentkuthy continues with an excerpt from Towards the One and Only Metaphor translated by Tim Wilkinson […]

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Krejpskeho

Literary roundup: Re-enacting massacres and monkeys with paintbrushes

“Under communism the basic building material was greyness. That’s what we all remember. Even those of us who have forgotten everything else. Communism was grey – this truism has poisoned our minds. And so, after our heroic liberation, our first reaction was to rush to a paint shop. And that’s what my country looks like […]

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14. Přírodopisný kabinet, objekt, 1972

‘Švankmajer: The Last of the Great Surrealists’ in New Eastern Europe

My article on the recent Švankmajer exhibition in Prague has just been published in New Eastern Europe magazine’s Spring 2013 issue. “The Last of the Great Surrealists: Jan Švankmajer: Dimensions of Dialogue – Between Film and Fine Art” is about the Czech artist and filmmaker’s extremely diverse art and film work as well as his […]

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Slovak fiction at B O D Y

“Shadow Play” by Slovak writer Peter Karpinský is the first story I brought to Prague literary journal B O D Y as a new contributing editor. The story of a translator of a German poet that reveals itself to be much more than that, is part of Karpinský’s 2010 Anasoft-nominated collection The Holy Non-Assumption. The […]

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Asymptote and the cause of international writing

In a world where overhyped English-language books playing on a predictable single-note formula (take your pick – 1. Quirky, 2. Topical, 3. Autobiographical) all too often overshadow masterpieces by writers from the wider world, it’s clear that international literature needs its champions. And champions it has, though not that many, and maybe not any who […]

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‘The Bridge Over the Neroch: And Other Works’ by Leonid Tsypkin

The two novellas and five short stories that make up The Bridge Over the Neroch: And Other Works comprise the rest of the writing left to us by the author of Summer in Baden-Baden, Leonid Tsypkin. New Directions is bringing the book out in February 2013 and you can read my review in the 2nd […]

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Absinthe #18 – Fassbinder

The latest issue of Absinthe: New European Writing is out including my essay “Rainer Werner Fassbinder: the Balzac of West Germany”. Commemorating the 30th anniversary of Fassbinder’s death at 37 years old I spoke with filmmaker Tom Kalin and president of the Fassbinder Foundation and his former editor Juliane Lorenz about the prolific filmmaker’s legacy […]

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Literary roundup: Dueling Mandelstam reviews and German writers in fashion

The new issue of The Critical Flame has a pair of reviews devoted to a new translation of the selected poetry of Osip Mandelstam, Stolen Air, by Christian Wiman and Ilya Kaminsky. Editor Daniel E. Pritchard pens a brief essay on the unusual practice of running two reviews of the same book. Then there’s Henry […]

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Leonid Tsypkin’s last few kilometers

There is something as poetic as it is sad that one of the great Russian-Jewish writers of the latter half of the 20th century worked as a pathologist (worked, that is, until the powers that be demoted and eventually fired him). The New Yorker has a very short story by the magnificent author of Summer […]

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