What do Tolstoy, a clothing chain, Elif Batuman and a Hollywood blockbuster have in common? Nothing. But wait, that was before the launching of Banana Republic’s Anna Karenina clothing line to profit from the publicity of the new Tolstoy novel adaptation about to hit the theaters. Elif Batuman gets thrown in there because the LA […]
From Absinthe: “Absinthe 18 is coming soon and it’s full of exceptional art & writing from Europe, including a short play by Vlad Zografi, and poetry & prose by Marie-Claire Bancquart, Nichita Stanescu, Pia Tafdrup, Sladjan Lipovec, Marco Candida, Kristina Lugn, Hernan Migoya, Marko Pogacar, Iulian Ciocan, Jose Corredor-Matheos, Kamil Bouska, Jiri Brynda, and a […]
Why, oh why, do filmmakers keep trying to adapt the work of Kafka? Do they see the pitiful results and want to strike back in the writer’s honor, to make a film worthy of one of literature’s great masters? I don’t think so. So why spend the time and money in such a futile pursuit? […]
Work of Alexander Kluge, among the boldest filmmakers and writers of the past 50 years, as well as being a key figure in New German Cinema, gets Prague showing It is not uncommon to find artists who came to film from work in other mediums. Some are painters turned filmmakers, while others turned to film […]
Books on film Adapting literature to cinema usually does not make for a pretty story. There are any number of reasons. Some novels are inherently unfilmable. Others are dumbed down and commercialized to the point that traces of the original become nearly impossible to detect. Sometimes a talented, even brilliant director, say Orson Welles, takes […]
When Russian novels make it to the big screen it is usually because they either already have enough melodrama to turn them into marketable films (Doctor Zhivago) or because screenwriting assassins can be found to cut out the wordy parts and stick to the scenes of carriage rides, furtive kisses and duels. Recently though, a […]
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