From Nov. 14 through Nov. 16 the 10th annual New Literature from Europe festival will take place in New York featuring a number of authors from Central (but not only) Europe. Top of the list is Czech writer of the recently published The Devil’s Workshop, Jáchym Topol (top of the list, in this case, means […]
Apparently it isn’t only filmmakers who misunderstand Kafka. In the Times Literary Supplement Gabriel Josipovici writes an article covering a number of quite varied books about or related to Kafka titled “Why we don’t understand Kafka” that brings a demanding yet even-handed take on the ultimate resistance to interpretation that Kafka’s writing contains. In a […]
Helen Epstein was not even a year old in the summer of 1948 when her father decided to take his family away from Czechoslovakia for a new life in the US. Having survived the Nazi concentration camps, he was unwilling to endure life under communism. Growing up in New York’s Czech émigré community, Epstein retained […]
The varied world of Czech literature, past and present, contains a vast store of work virtually unknown outside of the Czech Republic Nothing lasts forever, and the recent losses of Václav Havel and Josef Škvorecký emphasize the finitude of what was probably the greatest generation of Czech writers. Fortunately, there are numerous younger writers whose […]
An article in Czech Position on the 2011 Josef Škvorecký Prize going to Czech novelist, screenwriter and documentary filmmaker Martin Ryšavý for his novel Vrač. Continue Reading
Czech writers such as Milan Kundera, Bohumil Hrabal and Josef Škvorecký were an imposing presence in world literature in the last few decades of the 20th century. Today, a new generations of Czech novelists is beginning to make its mark. Coming off a recent appearance at the International Literature Festival Berlin, novelist Tomáš Zmeškal spoke […]
Central European literary life A recurring obstacle to writing about Central European literature is the fact that it apparently doesn’t exist. As recently as this year, when Penguin UK brought out its series of Central European Classics, British novelist Adam Thirlwell began his overview of the collection by writing “I can put it like this. […]
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