Tag Archives: Kundera

Literary Roundup: New (Kundera) Yorker and Bulgarian writing

Milan Kundera’s first novel in 13 years, The Festival of Insignificance, will be published in Linda Asher’s English translation next month and the New Yorker has just published an excerpt, though it’s being promoted as a short story, “The Apologizer”. The novel was published in Italy in 2013 and then in France and Spain. Bulgarian […]

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Writers beyond the page

Being a good or great writer is certainly no guarantee of having a great, good or even remedial grasp of politics, culture or, really, anything at all. Yet there are writers whose intellect outside their books approximates their intellect in their books, and so it can be worth hearing what they have to say. For […]

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Reading literary nihilists in Tehran

One might be tempted to think that literature commonly characterized as absurdist or nihilist would not get much official attention in the Islamic Republic of Iran. Still less would anyone think that it could serve as a springboard to reaching the rarefied heights of literary prizes. Yet, as absurd and potentially nihilistic as it sounds, […]

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Literary map of Prague

In a bid to obtain the status of a “UNESCO Creative City of Literature,” Prague’s Municipal Library has put a literary map of the city online that locates both Czech and international writers in various parts of the city. At the moment the map is only in Czech (which I would think might hinder their […]

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Central Europe and its cities

Polish quarterly magazine Res Publica Nowa has published a special English-language issue “Central Europe as City.” Besides the editorials, there are five articles from the issue available online on the Eurozine website and they contain some fascinating information. Articles cover an array of topics – from the multicultural history of today’s Bratislava to the Jews […]

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A curious novel, Kafka’s Amerika

“A curious novel, Kafka’s Amerika: indeed, why should this young twenty-nine-year-old writer have laid his first novel in a continent where he had never set foot? This choice shows a clear intent: to not do realism; better yet: to not do a serious work. He did not even try to palliate his ignorance by research; […]

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