Tag Archives: Michael Scammell

Literary Roundup: Pushkin Prize and Berlin launch

The Pushkin House Russian Book Prize shortlist for 2015 has been announced and has some very interesting titles. It includes Polish writer Jacek Hugo-Bader’s Kolyma Diaries: A Journey into Russia’s Haunted Hinterland, translated by Antonia Lloyd-Jones. You can read translations of Polish prose and poetry by Lloyd-Jones in B O D Y. The Zhivago Affair: […]

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St. Petersburg’s lost poet

Today marks what would have been the 72nd birthday of poet Joseph Brodsky. Two months after his death in January 1996, Czeslaw Milosz wrote in Index on Censorship of what was at stake in Brodsky’s poetry:  “In one of his essays Brodsky reflected that Mandelstam was a poet of culture. He too was a poet […]

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Arthur Koestler: 20th Century Man

It is “best reads of the year” time, so for this Best Reads I am writing about one of the best books I read in 2011. Koestler: The Indispensable Intellectual by Michael Scammell (The US edition is titled Koestler: The Literary and Political Odyssey of a Twentieth-Century Skeptic) In the early decades of the 20th […]

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After the darkness: an interview with Michael Scammell

Michael Scammell came to the Prague book fair with two seemingly related tasks – to speak about his biography of Arthur Koestler, Koestler: The Literary and Political Odyssey of a Twentieth Century Skeptic, and to participate in a panel on Index on Censorship, of which he was the founding editor. And while issues of censorship […]

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Book World Prague 2011: Modern writers in the ancient world

Book World Prague kicked off May 12 at the historic Industrial Palace, site of the Communist Party congress for 41 years during the regime of the same name. That the political landscape has changed considerably is evident even before stepping inside the building. With the opening ceremony approaching, the palace’s imposing art-nouveau façade was matched […]

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On the non-existence of Central European literature

Central European literary life A recurring obstacle to writing about Central European literature is the fact that it apparently doesn’t exist. As recently as this year, when Penguin UK brought out its series of Central European Classics, British novelist Adam Thirlwell began his overview of the collection by writing “I can put it like this. […]

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